
Exciting Times
Naoise Dolan
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Dive into a modern love story set in Hong Kong, exploring the complexities of relationships, identity, and the clash of cultures in today's globalized world.
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Key points
01Trading Rent for Ambiguity
Stepping into a new city often feels like walking onto a stage where everyone else already knows the script, and for twenty-two-year-old Ava, Hong Kong is exactly that kind of disorienting theater. Fresh out of Dublin with a degree in English and a profound sense of aimlessness, she finds herself thrust into the grueling world of teaching English as a foreign language. Her days are measured out in grammar drills, correcting the pronunciation of wealthy Hong Kong children, and navigating the stifling humidity of a city that never seems to sleep or slow down. The reality of her expat life is far from glamorous; it is a relentless grind of underpaid labor, cramped living conditions alongside countless roommates, and a creeping sense of alienation. She feels like a ghost haunting her own life, observing the vibrant city through a pane of glass she cannot quite break. Ava approaches her existence with a heavy dose of irony and cynicism, using her sharp intellect to keep the world at arm's length. She dissects language for a living, but she also uses it as a weapon to dissect her own emotions before they can take root. Then comes Julian. Meeting him is like colliding with a completely different universe, one defined by effortless privilege and quiet, unshakeable confidence. Julian is a British investment banker, Oxford-educated, absurdly wealthy, and emotionally entirely inaccessible. Their initial encounter at a bar is less of a spark and more of a mutual recognition of convenient detachment. They volley dry, cynical banter back and forth, establishing a dynamic that feels instantly comfortable because it demands absolutely nothing vulnerable from either of them. Julian speaks in the language of transactions, and Ava, exhausted by the sheer effort of trying to survive on a meager teacher's salary, is more than willing to learn his dialect. When he casually offers her the spare room in his luxurious, high-rise apartment, the decision is almost too easy. She leaves behind her squalid shared flat and moves into a world of pristine countertops, sweeping city views, and silent air conditioning. The arrangement is entirely undefined, resting comfortably in a gray area that suits them both perfectly. Ava pays no rent, yet she provides companionship, sharp conversation, and, eventually, a physical relationship that they both meticulously pretend is devoid of romantic weight. To an outside observer, and often to Ava herself, the power imbalance is glaringly obvious. She is the financially dependent, working-class Irish girl; he is the wealthy, upper-class English man whose ancestors quite literally colonized hers. Ava is acutely aware of this dynamic, frequently turning it over in her mind, scrutinizing it with the same rigorous analysis she applies to English syntax. She knows she is, in a sense, allowing herself to be kept. Yet, there is a profound, twisted safety in this transactional bond. Julian’s emotional unavailability becomes a bizarre source of comfort for her. Because he never asks for her soul, she never has to risk giving it to him. He does not pry into her childhood traumas, he does not demand declarations of love, and he certainly does not expect her to be emotionally whole. He simply wants her there, a witty presence in his otherwise sterile apartment. For Ava, who is terrified of the messy, unpredictable nature of genuine intimacy, this is the perfect setup. She can enjoy the luxury of his wealth, the physical comfort of his bed, and the intellectual stimulation of their debates, all while keeping her heart safely locked away. She constructs a fortress of rationalization around their living arrangement, telling herself that she is simply being pragmatic. After all, capitalism is exhausting, and who wouldn't trade a little bit of their independence for a life devoid of financial panic? However, beneath the veneer of their sophisticated, detached banter, a quiet tension simmers. Ava is constantly analyzing Julian’s words, searching for hidden meanings in his sparse texts and casual remarks. She catalogs his habits, his preferences, and his subtle microaggressions regarding her Irish background, storing them away as evidence of the unbridgeable gap between them. She realizes that while Julian is happy to share his space and his money, he will never share his inner self. He operates like an emotional fortress, perfectly polite but entirely impenetrable. And Ava, despite her best efforts to remain indifferent, finds herself occasionally bruised by his casual dismissals. It is a lonely kind of comfort, living in a beautiful apartment with a man who sees you as an entertaining accessory rather than an equal partner. Yet, she stays, firmly rooted in the ambiguity, entirely convinced that this half-life is the best she can possibly hope for.
02The Silent Rules of Wealth
Living in Julian’s orbit means adopting a lifestyle governed by unwritten rules and silent expectations. Ava quickly realizes that wealth is not just about having money; it is an entirely different culture, complete with its own vocabulary, social cues, and invisible boundaries. As she begins to accompany Julian to dinners and gatherings with his circle of elite, expatriate friends, the stark contrast between her background and theirs becomes impossible to ignore. These are people who discuss global markets over hundred-dollar bottles of wine, who casually drop the names of international cities as if they were local neighborhoods, and who navigate the world with an ingrained sense of ownership. Ava, sitting at the edge of these tables, feels like an anthropologist observing a foreign species. She is acutely aware of her own working-class Dublin roots, her cheap clothes, and her distinct Irish accent—an accent that often becomes the target of subtle, patronizing amusement from Julian’s English friends. During these encounters, Ava’s defense mechanism kicks into high gear. She refuses to be intimidated, instead weaponizing her intelligence and her grammatical expertise. When Julian’s friends make offhand, culturally insensitive remarks or use British slang that she deeply resents, Ava responds with biting, hyper-analytical retorts. She deconstructs their sentences, highlighting the entitlement woven into their very syntax. It is a way of reclaiming some semblance of power in rooms where she feels entirely powerless. Yet, despite her outward defiance, these microaggressions chip away at her self-esteem. She realizes that no matter how sharp her wit or how wide her vocabulary, she will never truly belong in this world. She is fundamentally an outsider, a guest allowed in only because she is on Julian’s arm. The dynamic between Ava and Julian becomes a fascinating study in emotional withholding. Their communication is a masterclass in reading between the lines, where what is left unsaid carries far more weight than what is spoken aloud. They engage in lengthy, intellectual debates about politics, language, and history, but they almost never discuss their feelings. When they sleep together, they treat it with a studious casualness, as if it were simply another pleasant activity to pass the time, like watching a movie or eating takeout. Ava insists to herself, and to Julian, that their intimacy means nothing. She clings to this narrative with desperate tenacity, terrified that admitting to any emotional attachment would hand Julian the ultimate power over her. Julian, for his part, seems perfectly content with this arrangement. His emotional unavailability is not born of malice, but of a deep-seated complacency. He has never had to fight for anything in his life, and therefore, he does not know how to fight for a person. He is generous with his money—paying for expensive meals, buying her small gifts, and never asking for rent—but he is incredibly stingy with his emotional presence. He uses his wealth as a substitute for vulnerability, creating a buffer between himself and the messy realities of a real relationship. Ava recognizes this, understanding that Julian’s financial generosity is, ironically, what keeps them emotionally distant. By taking care of her material needs, he ensures that she remains in a state of perpetual gratitude and subtle subservience, leaving no room for the equal footing required for true intimacy. In the quiet moments of the night, when the city lights reflect off the floor-to-ceiling windows of the apartment, Ava wrestles with her own complicity in this dynamic. She knows that by staying, she is actively participating in her own emotional starvation. She is trading her independence and her potential for real love for the comfort of a high-end mattress and a rent-free existence. She intellectualizes this choice endlessly, framing it as a practical, even feminist rebellion against the traditional expectations of romance. Why should she suffer in poverty for the sake of abstract ideals? Why not take what is freely offered? But beneath the layers of cynical justification, a quiet, persistent loneliness gnaws at her. She is existing in a state of suspended animation, safe from the pain of heartbreak but entirely cut off from the joy of genuine connection. She tells herself that Julian’s low expectations are a blessing, that she is relieved he doesn't want her soul. But the truth, buried deep beneath her defensive armor, is that she is profoundly sad that he doesn’t even want to try to find it.

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03An Empty Flat and a New Face
04The Vulnerability of True Attention
05Tangled Webs and Hidden Truths
06When the Worlds Finally Collide
07Conclusion
About Naoise Dolan
Naoise Dolan is an Irish author known for her debut novel, "Exciting Times". She studied English Literature at Trinity College Dublin and Oxford University. Her writing often explores themes of love, language, and power dynamics, and she has been compared to Sally Rooney for her sharp, witty style.