
VUFKU. Lost & Found
Dovzhenko Centre
What's inside?
Explore the fascinating journey of VUFKU, a Ukrainian film institution, as it navigates through the trials of history, showcasing its lost and rediscovered cinematic treasures.
You'll learn
Key points
01How did movies shape everyday life in the early 1900s?
When the Russian Empire crumbled and communism took over, Ukraine was absorbed into the Soviet Union. This didn't sit well with many Ukrainians who longed for their own independent country. To keep the peace, the new government decided to take the pulse of the people across all the republics. They also encouraged the growth of national cultures to help keep protests at bay. In Ukraine, local leaders Mykola Skrypnyk and Oleksandr Shumsky were the main guys pushing for Ukrainization in the cultural world. They worked hard to bring back the Ukrainian language in schools, publishing houses, theaters, and movie theaters. They also pushed for Ukrainians to have a say in the national government. This policy also considered the rights and needs of national minorities like Poles, Jews, Germans, and others. Now, let's talk about movies. You know that famous scene of a train pulling into La Ciotat station by the Lumiere brothers? Well, Ukraine had its own version, but instead of a train, it was a tractor. Given Ukraine's farming roots, the tractor was a symbol of industrial progress. It represented endless possibilities, speed, and success. So, it's no surprise that scenes showing a tractor arriving in a village became a key part of many films. But even with all the positive changes in rural life since the late 1800s, a lot of young people were leaving for the cities. The city was seen as a place full of opportunities, a chance to become who they wanted to be, not who society expected them to be. These go-getters went to the cities to study, find jobs, and quickly adopted a lifestyle that was completely different from their parents'. Their days started with coffee and the news, they got around using public transportation, and their nights were all about finding the next big thing. But city life wasn't all roses. Being far from their families and struggling to make friends, these young people often felt alone and isolated. That's where movies came in. They provided a much-needed break from the loneliness, offering a chance to escape, if only for a little while.
02What made the creation of VUFKU possible?
On March 13, 1922, a significant event took place in the world of Ukrainian cinema. The All-Ukrainian Photo Cinema Administration, or VUFKU, was born. This was a big deal because it was a shift from the previous All-Ukrainian Cinema Committee, which was tightly controlled by the Soviet leadership. VUFKU, however, had a bit more freedom, thanks to the support of local Ukrainian authorities who were keen on boosting cultural growth. Think of VUFKU like a successful startup company. From 1922 to 1930, it achieved some pretty impressive things: 1. It created opportunities for new talent in the film industry. Newcomers got the chance to be extras, and budding writers were encouraged to try screenwriting. 2. VUFKU also changed what audiences preferred to watch. Foreign films, which were once more popular, were now outshone by local productions. 3. The organization played a big part in building a strong film infrastructure. This included setting up educational institutes for film studies, promoting film journalism, and creating factories for film equipment. 4. By 1927, VUFKU was making a third of all Soviet films. 5. Working in the film industry became not just a hobby, but a well-paying job. The salary in this sector was two to three times higher than in other industries. In the beginning, VUFKU made films at two state studios. But as the organization grew, it started building the Kyiv Film Studio in 1927. This studio became the biggest of its kind in Europe at the time. By the next year, the studio had finished its first set, which was as big as a football field. But VUFKU wasn't just about building stuff. The team members were also great at making deals. They set up international partnerships, inviting camera operators and directors from countries like Germany, Turkey, and France to make films in Ukraine. They also loved showing off Ukrainian films at screenings across Europe and America. Ukrainian correspondents traveled all over the world, keeping up with the latest in cinema and sharing this knowledge back home. VUFKU did have some limitations, though. The organization could explore a wide range of story themes, but these had to celebrate the October Revolution and paint a positive picture of the communist future. But creative screenwriters and directors found ways around these restrictions. They often focused on personal stories instead of big national narratives. And when the story needed to promote the communist agenda, they cleverly introduced minor characters to echo the party line. Here's a fun fact about Ukrainian cinema: in 1893, two years before the Lumiere brothers introduced cinema as we know it today, Ukrainian engineer Yosyp Tymchenko created the world's first movie camera. Sadly, Tymchenko's groundbreaking invention didn't get the recognition it deserved because he never patented it.

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03Is making a movie like running a beehive?
04What kind of movies did VUFKU make?
05Can art really be separate from politics?
06What's the deal with themed movie screenings?
07Conclusion
About Dovzhenko Centre
Dovzhenko Centre is not an individual author but a Ukrainian cultural and educational organization. It is dedicated to the preservation and promotion of Ukrainian cinematic and audiovisual culture, including the restoration of old films and the publication of related literature.